(2021) Khorana, Sukhmani ‘COVID-19 and the affective politics of congestion: an exploration of population density debates in Australia’, Cultural Studies, 35:2-3, 306-318,DOI: 10.1080/09502386.2021.1898029

 

(2021) Khorana, Sukhmani ‘How to make arts-based interventions appropriate for young refugees?: towards a decolonial framework’, Journal of Youth Studies, DOI: 10.1080/13676261.2021.1929885

 

(2021) Khorana, Sukhmani ‘Can producers and consumers of colour decolonize foodie culture?: An exploration of food media in settler colonies’, Gender, Work and Organisation, DOI: https://doi.org/10.1111/gwao.12615.

 

(2020) Khorana, Sukhmani ‘Home and Away vs Netflix: Inter-generational and Intersectional Asian Australian Viewing Patterns’, Journal of Intercultural Studies, 41:6, 694-707,DOI: 10.1080/07256868.2020.1831457

 

(2020) Khorana, Sukhmani. ‘Diverse Australians on television: from nostalgic whiteness to aspirational multiculturalism’, Media International Australia Vol. 174, No. 1. DOI: https://doi.org/10.1177/1329878X19863849

 

(2017) Khorana, Sukhmani. “‘Now I fight for belonging’: a cosmopolitan refugee meets regional Australia in Constance on the Edge”, Alphaville: Journal of Film and Screen Media Issue 14, pp. 61–73.

 

(2016) Khorana, Sukhmani. “Anti-rape media campaigns: A transnational perspective”, Communication and the Public 1, No. 2, pp. 257-262.

 

(2015) Khorana, Sukhmani. “Self-distribution and Mary Meets Mohammad: towards ethical witnessing”, Studies in Australasian Cinema Vol. 9 No. 1, pp. 66-76.

 

(2015) Khorana, Sukhmani. “Transnational teaching and research in Australia in the ‘Asian century’: A narrative-based case study”, Social Alternatives Vol. 34 No. 2.

 

(2014) Khorana, Sukhmani. “The Political is Populist: Talk Shows, Political Debates, and the Middle Class Public Sphere in India”, Special Issue of Media International Australia No. 152, pp. 98-107.

 

(2014) Khorana, Sukhmani. “From ‘De-wogged’ Migrants to ‘Rabble Rousers’: Mapping the Indian Diaspora in Australia’, Journal of Intercultural Studies Vol. 35 No. 3, pp. 250-264.

 

(2013) Khorana, Sukhmani. “Creative Praxis and Cross-cultural Research”, New Scholar: An International Journal of the Humanities, Creative Arts and Social Sciences Vol. 2 No.1, pp. 181-188.

 

(2013) Harindranath, Ramaswami and Khorana, Sukhmani. “Civil Society Movements and the ‘Twittering Classes’ in the Postcolony: An Indian Case Study”. South Asia: Journal of South Asian Studies Vol. 37, No. 1, pp. 60-71.

 

(2013) Khorana, Sukhmani. “Gender Mores on Indian TV: The ‘Respectable’ Middle Class and NDTV’s The Big Fight’. Media International Australia No. 147, pp. 111-121.

 

(2012) Khorana, Sukhmani. “Orientalising the Emerging Media Capitals: The Age on Indian TV’s ‘Hysteria’”. Media International Australia No. 145, pp. 39-49.

 

(2012) Khorana, Sukhmani. “English-language television news and the great Indian middle class: Made for each other”. Studies in South Asian Film and Media Vol. 4, No. 1, pp. 23-47.

 

(2012) Khorana, Sukhmani. “Film festivals and beyond: Activist discourses in the reception of Samson and Delilah and The Tall Man”. Studies of Australasian Cinema Vol. 6, No. 2, pp. 217-227.

 

(2011) Khorana, Sukhmani. “The Female Journalist in Bollywood: Middle Class Career Woman or Problematic National Heroine?”. Metro Magazine 171, pp. 102-106.

 

(2011) Khorana, Sukhmani. “Produced Locally, Designed Globally: Cosmopolitanism in Contemporary Cinema”. Metro Magazine 168, pp. 74-78.

 

(2011) Pugsley, Peter and Khorana, Sukhmani. “Globalising Indian Culture: Assertive Nationalism in Yash Raj Films.” Continuum: Journal of Media and Cultural Studies Vol. 25, No. 3, pp. 359-373.

 

(2010) Khorana, Sukhmani. “Water: Diasporic Cinema and the Transcendence of Genre.” Screen Education 60, pp. 127-131.

 

(2009) Khorana, Sukhmani. “Diasporic Dispersals and Convergences: The Creative Trajectories of a PhD Project.” Transnational Literature: Literary Migrations special issue. <http://dspace.flinders.edu.au/dspace/bitstream/2328/7984/1/Khorana.pdf>.

 

(2007) Khorana, Sukhmani. “Photography, Cinema and Time in Jane Campion’s The Piano and Gail Jones’ Sixty Lights.” Outskirts: feminisms along the edge. <http://www.chloe.uwa.edu.au/ outskirts/archive/volume16/khorana>.